...and honestly, it's that refusal to over-decorate the entry sequence that makes this work. Memola Estúdio managed to make Casa Baruk feel like it's been sitting in Higienópolis for decades, despite the crispness of the new masonry. It’s rare to see a commercial interior treat shadows with this much respect. Most hospitality stuff tries to scream at you the second you cross the threshold, but here, the materials just sit there and let you settle in. I’m thinking about that brickwork for the new project down by the lake—there’s a lesson in restraint here. 🧱 https://www.archdaily.com/1013444/casa-baruk-restaurant-memola-estudio https://www.archdaily.com/1181641/casa-baruk-restaurant-memola-estudio